Now, this is the design used by
the Baltimore Ravens in their first three seasons as well as a documentary film
following the team. Do you see any
similarities? Absolutely, there is no
question that this is an almost duplicate version of the logo designed by Frederick Bouchat in 1995. Now, despite the fact that he was not
credited with the design nor did he receive his autographed team helmet, does
he have a legal right to sue for copyright infringement? Not only does he have the right, but also he
has actually tried to sue the Baltimore Ravens numerous times since 1995 over
copyright infringement. Yet, my most
pressing question is, why does Hollywood
care? Why are they involved or have any
say in this matter whatsoever?
If you ever find yourself
wondering what is the root cause of most lawsuits, or why such a large entity
such as Hollywood gets involved in anything, follow the money! The only interest Hollywood has in this case
is the fact that if Bouchat happens to win this case, it will cause problems,
financial in nature, for every Hollywood film using logos and other copyrighted
material in their films. Fair use, which is the ability to use copyrighted
material in non-profit, educational purposes, is the defense mechanism being
used against Frederick Bouchat in
order to avoid repercussions from a lost lawsuit.
According to an article
posted on Stanford.edu, a win for Bouchat concerning the copyright materials in
the documentary film could pose a real threat to documentary filmmakers, news
organizations and public broadcasters.
This certainly is true as fair use allows certain copyrighted material
to be used when educating or discussing historic events. Regardless of my opinion, or what anyone
thinks the outcome should be, Bouchat feels as if his copyright infringement
rights have been violated but he may have to settle for the fact that the
Baltimore Ravens have changed their logo and they are no longer using his
version of the logo in their advertisements or documentaries.
Although Bouchat has received
recognition for his version of the Baltimore Ravens logo, he never received monetary
compensation. As a filmmaker and a
student currently studying Sports
Management, I agree with both sides of the case. I agree that Bouchat should have received his
recognition in the beginning and when he wasn’t, he should have received
monetary compensation after winning his lawsuit. I also agree with the Baltimore Ravens and
the MPAA, this case shouldn’t allow Bouchat to dictate whether or not the logo
appears in the documentary or video games because it could change the entire
dynamic of Fair Use when it comes to copyrighted materials used correctly under
this law.
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